No need to explain with REM, right?But next post: another Go-Betweens bootleg!
REM Live 1
REM Live 2
"I've dreamt in my life dreams that have stayed with me ever after, and changed my ideas; they've gone through and through me, like wine through water, and altered the colour of my mind."
It's been a while since my last post on the Go-Betweens (a whole month!), so this is for all the fans that (just like me) can't get enough of the band from Brisbane.
You can have it for free officially (just click here and order it choosing to pay O.O if so), or you can pay whaever amount you want (but pay attention that the bitrate is 160k, that is llike a common "leak") but if somehow you can't here is the download to Radiohead's new album "In Rainbows".
I suppose I'm one of the million people who are are dying waiting for "In Rainbows", the new Radiohead LP, so when I bumped into this very good recording of an advance concert for "Hail to the thief" (which was then yet to be released) I couldn't resist and now here it is.
A new album this time, and what album: no less than Sonic Youth's main man's solo. And not only "Trees outside the academy" is excellent, but it is also a non free-form music album, i.e. all tracks in it are proper songs (verse-chorus, etc), and -even more surprisingly perhaps- Thurston Moore has gone acoustic to play them. Definitely a good moment for the SY fans: first "Rather ripped" (which got us back good old sonic riffs and songs) and now Moore's solo, an album full of turns, of surprising moments, in a few words a very fine pop record, one that never allows you to see its direction, to see what's coming next. And never let you down.




Linda Thompson has just released a brand new album, "Versatile Heart", I know, but by now I like her comeback (after almost 20 years) with this "Fashionably Late" in 2002 so much more, although there may be no Antony singing with her but there is still one song composed by (a very young then) Rufus Wainwright (in "Paint & Powder Beauty") and there are playing guests as ex husband Richard and Fairport Convention veterans Jerry Donohue, Dave Mattacks and Dave Pegg. Along with Van Dyke Parks, Danny Thompson, and son Teddy Thompson.
I'm a bit in a old school hip hop revival, so I went back to the days when Ice Cube was "AmeriKKA's most wanted", but not from Hollywood PR agents...
I'm going through a Bjork renaissance, and re-discovering Volta (I didn't find it so appealing nor interesting the first time around), and it is merely by chance that I have found some (very) old stuff from her discography, like this 1977 LP she recorded when she wasn't 12 yet: a true gem if you consider that it has been edited and released only in Iceland (and I don't think there are many recent re-issues).
It's plain to see that I just can't get enough of The Go-Betweens' live bootlegs (and I hope you don't mind), so here's another one: a radio session in munich (still as an acoustic duo), hence a very fine quality recording bootleg, featuring 13 tracks, lots of which are taken from Forster's and McLennan's solo career (a perfect match with the Intermission post, ain't it?) and with a curious obscure song from the two australians, Suicide at home.
No doubt that the Go-Betweens are maybe my favourite band these days, so I was more than just happy when I found this (short alas) acoustic concert of theirs some time ago. I had been looking for more GB bootlegs for months and finally I took a hold on this. Moreover I have always wanted to listen to some acoustic live recordings of the Go-Betweens since I consider the Acoustic Sessions in their "That Striped Sunlight Sound" DVD just great: McLennan and Forster as an acoustic duo have some true magic working on (by the way, has anyone heard of, or has got some bootlegs of one of their acoustic concerts as a duo in the nineties? That would be terrific), and that's why I'm so glad to have these tracks: it is only Forster and McLennan on stage (during some 2000 tour, probably just before the release of their "The friends of Rachel Worth" comeback CD) playing some songs from "Friends Of..." but also some true GB classic as This girl black girl, Cattle and cane, and Bye bye pride (which, without "Talullah"'s heavy 80's production is a hell of a song).
I have just bought this yesterday and I am as happy as a man can be (for buying a CD). The Go-Betweens have been much like my band in these last years, meaning that I have listened to their songs lots and lots of times, so many times that I can easily recall each one of them only by hearing 2 seconds of it, so many times that I must have learnt by heart almost their whole repertoire. In a few words: what I used to do before the internet revolution, before "listening to music" meant listening to a new album a couple of times and then -very often at least- lose it in your hard-drive or in some CD/DVD-R. And that's the reason why I have decided to buy this one: to give back something, to show (to myself, I suppose) how important Forster and McLennan (The Go-Betweens' founding members and writers) have been to me.
I'm back from a little hiatus just to tell you of a great site I've just bumped into: Concert Vault (from now on you will be able to find the link here on the right) allows you to listen to dozens of concert on streaming (you just have to subscribe first, but that's quick and easy). Examples? I'm now listening to Pink Floys live at Fillmore East, April 29th, 1970. Highly recommended.
The start of Still holding on to you is the kind of thing that makes you feel like grabbing an electric guitar (and makes you also feel as if it was the most important thing on earth), while another favourite number of mine has always been Merritville, possibly one of the best electric ballads I've ever listened to.
I'm in X-period of sort. Kind of. (I have also been listening a lot to John Doe's new album: maybe even better than the previous one). So I've uploaded "More fun...", a very underrated LP: when it got out many punk purists called it too mainstram, too commercial, but to me it has a Clash-like sound (which is definetely a good thing). It is maybe their "Combat rock": an album that contains many of their most straightforwarded songs, and a few attempts to the charts (yeah, I know, it's a shame for punk rockers...), but it is also a work (as most rock albums that music purists dislike) that puts together what is punk with what is (wasn't?) not: disco, 50's rock, country... Doesn't this sound very "thesedayish"?
For those who can't wait for the last White Stripes' record to hit the record stores here is the leak, ripped from a radio broadcast. Of course this is no state of the art sound quality recording (still most of the songs are a bearable listen) but yet you can get an idea out of it.
X were a LA. punk band, and an excellent one, formed in 1977 and "Los Angeles" is their cult debut abum (and one of the '77 punk milestones).Johnny hit and run Paulene - Video
X @ wiki
Lou Reed @ Wiki
Low @ Wiki
A title, by the way? Date with IKEA. 'Nuff said.
In fact in a few months "Harvest" will come out, but many songs from "Time fades away" and "On the beach" are already in his live repertoire by that day, and it just blows my mind to think of this man that, in a bunch of weeks, composed songs as Journey through the past, A man needs a maid, Needle and the damage done, Old man, See the sky about to rain...and he chats through them as though they were just some more songs.
Anyway, this was Fairport Convention's 4th long playing release and, as hard as it appeared to be, it topped also their previously LP, "Unhalfbricking", and it made history for Sandy Denny's perfect vocal performance and its combination of tradionals mostly and self-penned songs (or new suits for traditional songs, with new lyrics for instance)."If I should ever die, God forbid, let this be my epitaph:
THE ONLY PROOF HE NEEDED
FOR THE EXISTENCE OF GOD
WAS MUSIC"
Listen to KV's interview in 2006 @ BBC Radio 4
More Info:
Here I am, back with the first Nick Castro's album. About his last -"Come into our house"- much has been said, but I do prefer his first: a bit more free-form, while the last dug too much into the great british folk-rock artists' repertoire, like Fairport Convention's (and Wendy Watson is no Sandy Denny). Which I love, but the fact is that he just can't keep up with them if he plays their same game. That's why I like this album so much: there's more non-british music (i.e. indian and psych stuff) and more room for trance-like tracks or atmospheric songs in general in it (like No sweeter thing, that reminds me more of Sid Barrett's Pink Floyd than Denny's FC). Listen also to the beninning of Winter's song: isn't it like a gamelan ensemble playing?
Last week I've been at a Julie's Haircut's concert and, as always, it has been a hell of a gig: it is kind of hard for me to explain how great they are to people who have never seen them live, because when they are on the road they are the best at what they do (and what they do, by the way, is an extremely exciting live act, based mainly on loose versions of songs from their last album, "After dark, my sweet", which got recorded in only one week on a very improv mood, and with the help of ex Spacemen 3 Sonic Boom).
