"I've dreamt in my life dreams that have stayed with me ever after, and changed my ideas; they've gone through and through me, like wine through water, and altered the colour of my mind."
Yeah, I promised something old, but actually I couldn't resist uploading this bootleg I found some time ago and that (shame on me!) I forgot to post till today. And it's an excellent one too, with a song quite hard to find in GB's recent live tracklists like "Love is a sign". But I promise the next post will be Paisley Underground-oriented. And again a bootleg, I think.
Tracklist: 01. Poison In The Wall 02. Too Much Of One Thing 03. In Her Diary 04. Old Mexico 05. Right Here 06. Surfing Magazines 07. Streets Of Your Town 08. Spring Rain 09. Love Is A Sign 10. Baby Stones 11. The Clock 12. 121 13. Love Goes On! 14. The House Jack Kerouac Built
Whew, I'm kind of busy these days, so I'm making it (again) brief:If you love Krautrock this new band will give you something new (to think of something old). I mean: the cover'll do it, won't it? By the next time you'll have more old stuff, but I haven't made up my mind yet. Paisley Underground or Go-Betweens?
Here is another great Go-Betweens' bootleg, the Live in Club Soda, Montreal 1987, from the Tallulah tour. The sound quality is very good, it probably got recorded straight from the soundboard. And I have to admit that I particularly like this period (1987-88) because of the 5-pieces line-up, I find their sound so tight, so strong, maybe GB's at their best (as a live band, a rock band).
Tracklist:
1. In The Core Of A Flame 2. Head Full Of Steam 3. Right Here 4. Twin Layers Of Lightning 5. Cut It Out 6. Learn To Live Again 7. I Just Get Caught Out 8. Part Company 9. Bye Bye Pride 10. The Clarke Sisters 11. Spring Rain 12. The House That Jack Kerouac Build 13. Don't Call Me Gone 14. Apology Accepted
In this period I'm not goint to post a lot because I have some work to do. So: only a few posts and even fewer words. In this case: here is the revisitation of the Cowboy Junkies' masterpiece, "The trinity sessions" live and with some guests (Ryan Adams, Vic Chesnutt and Natalie Merchant). I'll try and put more bootlegs of the go-betweens sometime quite soon.
At last another GB's bootleg, let's say, and though the sounds is a bit metallic it is all worth, in particular because of some classics from their repertoire (Spring Rain, Bye Bye Pride, and a gorgeous Bachelor Kisses) and the great finale with Easy Come, Easy Go, from Grant's solo career, where he tells Forster to play "more, more" during the solo, and an acoustic Rock'n'Roll Friend.
As you can also read on a very good (as always) review @ Pithfork (here), Joy Division's albums (the "real ones", i.e. "Unknown Pleasures" and "Closer", plus the "Still" compilation) just got re-edit with a bonus disc of live material. Generally speaking I'd say that the live recordings already published -The BBC sessions, the Les Bains Douches one, and thePreston one- are better quality (as sound), but this "Still"is definitely the best in the pack, so here you are.
Something about the Go-Betweens' Vienna boot: I've read all the comments and I'm glad that some of you requested a re-up, but unfortunately there's been also some very impolite comments and in particular a rather rude one (which I haven't published) that urged me to re-up that same vienna concert. So: I'm writing this blog and uploading this music merely for fun, as a hobby, with no interests of sort and surely not in order to get insulted by anyone. It really bothers me that some people don't get that "for free" doesn't mean "at their will". That's the reason why you won't see the vienna concert soon. But you will, maybe not in a short period of time, yet you will, mainly because of all the kind words in the (published) comments. And the next one will be a GB's bootleg too.
And at last another bootleg from the great GB's, and a very good one indeed: in fact although the sound quality is not excellent (but still quite good) this is a great performance from what IMHO is their peak and their best line-up, the one that toured to promote the "16 Lovers Lane" album. There are also some quite impressive moments in here to prove my theory: the beautiful Clouds with a tambourine and an almost velvetesque mood (1968-9 period by the way), and an incredible rendition of Quiet heart with an over the top drumming by Lindy Morrison that can't help but take you back to Moe Tucker (and Robert playing the harmonica à la Dylan). It's a pity that in the end The clarke sisters got cut (and I think one song is missing), but hey, what the heck. And this is not the end: more (bootlegs) to come!
PS Great Long Ryders bootleg in the surprise link.
Tracklist:
1. Don't Let Him Come Back 2. Was There Anything I Could Do? 3. The house That Jack Kerouac Built 4. Clouds 5. Dive For Your Memory 6. Cut It Out 7. I Just Get Caught Out 8. Twin Layers Of Lightning 9. Quiet Heart 10. Streets Of Your Town 11. Bye Bye Pride 12. Right Here 13. Spring Rain 14. The Devil's Eye 15. Love Is A Sign 16. Love Goes On 17. Casanova's Last Words 18. The Clarke Sisters 19. Karen
It's been a while since my last post on the Go-Betweens (a whole month!), so this is for all the fans that (just like me) can't get enough of the band from Brisbane. So, what is it all about? It is alternate takes from "Liberty Belle & The Black Diamond Express" (actually only the vocal tracks are different from the masters), and demos of "Tallulah" (although 3 out of 5 are already included in "Tallullah"'s expanded edition's second disc). And I promise I will be back soon with some more from Forster/McLennan & co.
You can have it for free officially (just click here and order it choosing to pay O.O if so), or you can pay whaever amount you want (but pay attention that the bitrate is 160k, that is llike a common "leak") but if somehow you can't here is the download to Radiohead's new album "In Rainbows". Enjoy!
I suppose I'm one of the million people who are are dying waiting for "In Rainbows", the new Radiohead LP, so when I bumped into this very good recording of an advance concert for "Hail to the thief" (which was then yet to be released) I couldn't resist and now here it is. It's 11 songs (including a semi-acoustic rendition of Fake plastic trees and No suprises).
PS Check out the surprise link if you really can't wait till October 10th for LP7
A new album this time, and what album: no less than Sonic Youth's main man's solo. And not only "Trees outside the academy" is excellent, but it is also a non free-form music album, i.e. all tracks in it are proper songs (verse-chorus, etc), and -even more surprisingly perhaps- Thurston Moore has gone acoustic to play them. Definitely a good moment for the SY fans: first "Rather ripped" (which got us back good old sonic riffs and songs) and now Moore's solo, an album full of turns, of surprising moments, in a few words a very fine pop record, one that never allows you to see its direction, to see what's coming next. And never let you down.
I had been looking for these songs for a long time, and now that I have found them I'm glad to share them: it's the Go-Betweens' B-Sides to their 2000-years Singles (and the Worlds Apart EP), a quite hard to find treasure (plus the 7'' edit to Finding You and as some kind of bonus track a Suicide At Home live in Munich in 1999). Rather obvious that I can't wait for Robert Forster to start working on their last LP (though I find it hard to believe there might be a new Go-Betweens album without McLennan's voice in it...)
Linda Thompson has just released a brand new album, "Versatile Heart", I know, but by now I like her comeback (after almost 20 years) with this "Fashionably Late" in 2002 so much more, although there may be no Antony singing with her but there is still one song composed by (a very young then) Rufus Wainwright (in "Paint & Powder Beauty") and there are playing guests as ex husband Richard and Fairport Convention veterans Jerry Donohue, Dave Mattacks and Dave Pegg. Along with Van Dyke Parks, Danny Thompson, and son Teddy Thompson. Pitchfork guys seem to think that "Versatile..." is such a great effort, yeah, but I can't help but find it a bit too mellow, and...may I dare say it...? Boring, there it is. On the contrary "Fahionably" sounds fresh, and not over confident (unlike the previous one), and though she probably will never be as good a songwriter as Richard was in his thirties (what the hell: he himself isn't that good now...but it is, to say the least, almost impossible to top masterpieces like "I want to see the bright lights tonight" and "Shoot out the lights", everybody's aware of that) in this LP she performs songs such as the last one "Dear old man of mine" where she almost makes it: I can clearly sense the sterness in her voice, and I have many reasons to think that this is probably her "The end of the rainbow". Why? Because even though the song is about a husband (to be more precise: an ex husnband, Richard) and not about a son, and it it is somehow gentle while the other one was mean, still it has a similar tempo, a similar construction (mostly downward melodic and harmonic patterns), and share the same seriousness, the same "These are my definitive words on the matter"kind of feeling. Grab it.
I'm a bit in a old school hip hop revival, so I went back to the days when Ice Cube was "AmeriKKA's most wanted", but not from Hollywood PR agents... Despite his most recent career (does anyone remember what he and Public Enemy sang in Burn Hollywood burn? Well, I wish at least he did) his early one was full of wonders, being "AmeriKKKa's most wanted" the greatest... Check out wiki.
I'm going through a Bjork renaissance, and re-discovering Volta (I didn't find it so appealing nor interesting the first time around), and it is merely by chance that I have found some (very) old stuff from her discography, like this 1977 LP she recorded when she wasn't 12 yet: a true gem if you consider that it has been edited and released only in Iceland (and I don't think there are many recent re-issues). It is obvious that this Bjork cannot be compared to the later genious, the ever new saviour of modern pop music, yet it is funny to listen to the indian extravaganza in the intro of the first song, or to the cover versions of the Beatles' Fool on the hill and Stevie Wonder's Your kiss is sweet. Plus, there's cover of the LP, that baby Bjork meets George Harrison meets whatever you may considered camp.
PS Click the option "Keep broken files" before unpacking it.
It's plain to see that I just can't get enough of The Go-Betweens' live bootlegs (and I hope you don't mind), so here's another one: a radio session in munich (still as an acoustic duo), hence a very fine quality recording bootleg, featuring 13 tracks, lots of which are taken from Forster's and McLennan's solo career (a perfect match with the Intermission post, ain't it?) and with a curious obscure song from the two australians, Suicide at home. And if you long for more GB's stuff...don't dorry: there's still more to come.
PS If you have some problems unpacking the zip file click "Keep broken files"
Tracklist:
1-The devil's eye 2-Part Company 3-Haven't I been a fool 4-Baby stones 5-Suicide at home 6-Dive for your memory 7-Right here 8-Spring rain 9-Clouds 10-Bye bye pride 11-Easy come easy go 12-121 13-Was there anything I could do
No doubt that the Go-Betweens are maybe my favourite band these days, so I was more than just happy when I found this (short alas) acoustic concert of theirs some time ago. I had been looking for more GB bootlegs for months and finally I took a hold on this. Moreover I have always wanted to listen to some acoustic live recordings of the Go-Betweens since I consider the Acoustic Sessions in their "That Striped Sunlight Sound" DVD just great: McLennan and Forster as an acoustic duo have some true magic working on (by the way, has anyone heard of, or has got some bootlegs of one of their acoustic concerts as a duo in the nineties? That would be terrific), and that's why I'm so glad to have these tracks: it is only Forster and McLennan on stage (during some 2000 tour, probably just before the release of their "The friends of Rachel Worth" comeback CD) playing some songs from "Friends Of..." but also some true GB classic as This girl black girl, Cattle and cane, and Bye bye pride (which, without "Talullah"'s heavy 80's production is a hell of a song).
Some months ago I posted this same album, I know, but now on my hands I have the brand new reissue, a beautiful one, with several bonus tracks, so I've decided to upload this one too. But in case you do not them I guarantee you that the Triffids were one of the best bands (some could call them a post punk band, and yeah, they'd be quite right, except that the triffids had a violin and a pedal steel guitar among their instruments, which wasn't very common at the time) of the eighties, and they shared the stage with one of my fave bands, the Go-Betweens; in fact they were fellow aussies. "In the pines" was their third LP, released shortly after their peak, the masterpiece "Born Sandy devotianal", and unlike that one In the pines is laid back, somehow quieter, but always mesmeric.
Listen to the waltz of In the pines (but with a melody à la Leadbelly), or to Born Sandy Devotional (curiously both carry the name of an album but Born...should have been on their previous one but didn't make it), or to Kathy Knows. They should be enogh to convince you. And in case you need more go see the great post written here, where you can also download some glorious bootleg tapes (go ahead! Do it!)
I have just bought this yesterday and I am as happy as a man can be (for buying a CD). The Go-Betweens have been much like my band in these last years, meaning that I have listened to their songs lots and lots of times, so many times that I can easily recall each one of them only by hearing 2 seconds of it, so many times that I must have learnt by heart almost their whole repertoire. In a few words: what I used to do before the internet revolution, before "listening to music" meant listening to a new album a couple of times and then -very often at least- lose it in your hard-drive or in some CD/DVD-R. And that's the reason why I have decided to buy this one: to give back something, to show (to myself, I suppose) how important Forster and McLennan (The Go-Betweens' founding members and writers) have been to me.
Robert Forster - Baby Stones
It still makes me sad to think of how eager I was to wait for another GB's album after "Oceans Apart" and after the last (and only, alas) concert of theirs I had seen and then the shock of hearing the news of McLennan's death last year. And yeah, I know Forster...oh, what the heck (as he would say)...I know Bobby has started working on Grant's demos to give birth to the album they both had planned to do, but I find it hard to believe a new Go-Betweens' album can truly be called so without Grant's voice (the demos, as you can read in this interview here, have no words), so "Intermission", the best of their works as solo artists during the GB's intermission (most people would call it break-up) in the nineties could be the last release with Grant's voice, his beautiful, melodious voice.
Grant McLennan - Easy come, easy go
I'll stop now because I'm getting too emotional, but trust me on this: if you have loved Bobby's and Grant's work go (run!) and buy "Intermission". The songs (more Grant's ones than Bobby's, I have to admit) are great, and then the packaging is simply awesome (two separate discs, and a 28-page lyric book at a very low price).
I'm back from a little hiatus just to tell you of a great site I've just bumped into: Concert Vault (from now on you will be able to find the link here on the right) allows you to listen to dozens of concert on streaming (you just have to subscribe first, but that's quick and easy). Examples? I'm now listening to Pink Floys live at Fillmore East, April 29th, 1970. Highly recommended.
Initially I had some about Carla Bruni: former mannequin, beautiful, kind of trendy. It all just didn't seem my cup of tea. So I first snobbed her first LP, but then when the second one got released I read a very good review about it (it had comparisons with Bob Dylan, old bluesmen and alikes), so I decided to give her the benefit of doubt. And she did surprised me. I've listened to "No promises"for a long time before getting back to "Quelqu'un m'a dit" (mainly becuase her first LP is in french and I 'm not very used to french music, except Sebastien Tellier and some old ones, like Jacques Brel), but I have to admit it got to me anyway: simple (and sometimes bluesy, sometimes more french-chansonnier-like) chord progression, most of the times with arpeggios, tender vocal melodies (and if you don't like her hoarse voice, well, that's easy to understand, but still what she does with it is haunting, charming). Here is also the video of my favourite one:
This is one of my fave live recordings ever from a band that I absolutely love: Dream Syndicate's "Complete live at Raji's". I remember buying the original CD release a few years ago (not a long time after having bought their first LP, the milestone "Days of wine and roses" for just...not more than 6 euros, I think), and being just blown away by the quality of the songwriting and by the massive electric guitars. They sort of feedbacked in my mind for weeks...
The start of Still holding on to you is the kind of thing that makes you feel like grabbing an electric guitar (and makes you also feel as if it was the most important thing on earth), while another favourite number of mine has always been Merritville, possibly one of the best electric ballads I've ever listened to. Plus, this complete edition features some great cover versions (the classic See that my grave is kept clean, and Dylan's All along the watchtower) and two more tracks from their first album (When you smile and Tell me when it's over). For more stuff about DS go see Steve Wynn's site: it's loaded with tabs, lyrics, mp3's; it is really worth visiting it if you are fans.
I'm in X-period of sort. Kind of. (I have also been listening a lot to John Doe's new album: maybe even better than the previous one). So I've uploaded "More fun...", a very underrated LP: when it got out many punk purists called it too mainstram, too commercial, but to me it has a Clash-like sound (which is definetely a good thing). It is maybe their "Combat rock": an album that contains many of their most straightforwarded songs, and a few attempts to the charts (yeah, I know, it's a shame for punk rockers...), but it is also a work (as most rock albums that music purists dislike) that puts together what is punk with what is (wasn't?) not: disco, 50's rock, country... Doesn't this sound very "thesedayish"?
And this is True Love Part 2 (with all it its beautiful pastiche medley in the end: disco, Elvis...)'s Video:
And this is a band of friends of mine you can listen to on the mp3 flash player here on the right (or you can go see their site here). If you like blues-rock stuff (like Jon Spencer etc) they might be your thing.
And now in italian...
Gli Younger Son sono un simpatico combo rock-blues che bazzicca dalle parti di Verona (ma non solo), quindi se abitate/vivete/girate/avete donne/avete uomini da queste parti potete fare un salto sul loro sito (il link rimarrà tra i preferiti qui a destra) per vagliare la possibilità di assistere a un loro concerto.
Se siete come l'apostolo Tommaso (quello scettico, su, non fate quella faccia lì...) potete sempre cliccare sul lettore mp3 in streaming qui sopra per ascoltare un loro pezzo, okay? Per altri (da ascoltare/scaricare) ne troverete sul loro sito.
For those who can't wait for the last White Stripes' record to hit the record stores here is the leak, ripped from a radio broadcast. Of course this is no state of the art sound quality recording (still most of the songs are a bearable listen) but yet you can get an idea out of it.
X were a LA. punk band, and an excellent one, formed in 1977 and "Los Angeles" is their cult debut abum (and one of the '77 punk milestones).
I must have listened to it tons of times and I never get tired, so I have to say that it stands the test of time just fine (and also me aging could have affected its value but it didn't) and Johnny hit and run paulene is still one of my fave punk songs (see the video below).
As I had promised here comes some more music: Lou Reed's "Hooky Wooky" single CD. Which contains, of course, the so-titled song (from the "Set the twilight reeling" LP), plus This magic moment out of the Doc Pomus tribute album, You'll never know you loved out of the "Friends"TV Series Soundtrack, and the previously unreleased (and very beautiful) Run.
And since this is supposed to be a music blog (but I promise I'll post more than this next time) here is -at least- one song: Oasis' Champagne Supernova (with its non-sense lyrics, but one of the few songs of theirs I really like...and it's so ecstatic that it seems to be fit for this occasion).
Starting from tomorrow NBC is going to finally air the remaining six episodes of Studio 60 (at 10 pm). It was about time. This one will also feature as guest star Alison Janney (aka CJ in "The West Wing"). If you have never seen an Aaron Sorkin's show try and take a look at it. Down here I've put three excerpts from Sorkin's works: one from Studio 60, and then two old ones, one from Sports Nights and one from The West Wing. You can view S60's new promo here.
Plus, for all the West Wing hardcore fans: download Tori Amos' cover version of I don't like mondays (you remember the 4th season episode, right?)
I'll go see a Low concert in a few days, so I think this is the the proper time to remind someone out there of some live recordings of this great Minnesota band available on the net... Here you can find lots of them (@ the Internet Archive). And these are my favourite ones (both because of the performance and the quality of the sound) : 1 ...and 2.
I know this blog is supposed to talk about music but I bumped into this video yesterday and I was shocked. It is an episode of a BBC program called Panorama, from 2006, and it shows how Roman Church has covered up all the child abuse crimes committed by catholic priests. So what is Crimen sollicitationis? It is a secret document issued by the Holy Office that imposes secrecy (concerning sex crimes) even upon victims of sexual abuse. In a few words: priests who are known by hierarchies to be pedophiles get transferred and more often than not everything is done in order to avoid legal prosecution. Hence no support for the victims, hence the chance for these child abusers to commit their awful crime again too. And by the way, Pope Joseph Ratzinger has more than something to be blamed.
Maybe it's time to go back to the originals: after Franz Ferdinand, Bloc things and many other Talking Heads wannabes why not listen to some 100& talking heads? So here's "More songs about buldings and food, their second LP, mostly famous for the cover of Al Green's Take me to the river (truly a must), but it is anyway miles ahead of its predecessor, probably because it's also their first album produced by Brian Eno (first of three: if you do not have them go get 'em).
I feel pretty strongly about this: "Sound of silver"is one of my favourite albums of this this year. I've been listenig to it for only a couple of weeks by now (and for a longer time partly because I had found the fist LP rather interesting but not that interesting -like: would this change my life? Not really...good things but not over the top, probably a bit too stylish -and à la mode- and too simplicistic, I don't know). Was it embarassing as most of the dance-oriented electronic music often is? No way. But "Sound of..." is far far better.
It is still very unlikely that some friend will catch me dancing on tables because of the new LCD, yet I would not mind so much (but I do not find myself usually in such situations...). Stranger to me is that I am way more attracted by colder electronica (Aphex Twin, Four Tet) or Indietronica. Lots of great songs-songs in here by the way: All my friends, New York I love you above all. Plus James Murphy has learned to write some lyrics too, being NY I love you a good example:
You're still the one pool Where I'd happily drown And oh.. Take me off your mailing list For kids that think it still exists Yes, for those who think it still exists
Obvious considerations (aren't they?): Murphy owes more than something to new wavers, Brian Eno, David Bowie (like the way he sings -along with doubled voices in Get Innocuous)...and most of his music is filled up with hommages to those beautiful years between Glam-Rock's zenith (1974) and post punk revolution (1979-82). Not an inch of plagiarism but tons of love from (a now famous) big fan to his much-loved idols. Or am I the only one who loves to hear Iggy Pop references along with Devo or Kraftwerk-like synth hooks?
I was reading a nice article about them, (in italian, in the new issue of Mucchio Extra), and I immediately felt like listening to my fav Pavement's album, "Brighten the corners", and my mind went back to some years ago when I went to a party (or crashed it, can't quite remember...), heard Shady Lane through a stereo set and thought: "This is a great party!", and ever since I have always been sure that the coolest thing is to get in a room full of people you don't know and hear one of the best indie-rock songs of all the time. "This is my people" flashed in my mind, and I felt suddenly at ease, smiling as much as I could.
Keren Ann is a Dutch/Israeli citizen living mostly between France and the USA and this homonymous album is also her sixth. Produced and played in the USA and in Iceland seems to mean for Ann that her influences of her past are now de fait past: no more french-style chansonnes, but as you can see (also by watching this video, although I do not know if it is an official one) Lay your head down is a very Velvet Underground-like song, while The harder ships of the world owes something to Cowboy Junkies. And if you like Mazzy Star and Hope Sandoval I think you may find something in here that might meet your tastes as well.
There are two Neil Young's to me: the electric warrior, riding mostly with his Crazy horse, perfectly pictured in LPs as "Ragged glory", and then the gentle loner, singing high-pitched acoustic pieces as seen on "Harvest" or "Silver & gold". I have always prefered the latter, and that's why I'm loving his last release so much: "Live At Massey Hall"is the second CD of his Performance Series (much like Bob Dylan's Bootleg Series) -though weirdly coded as #3...- and sees the canadian singing and playing on his own back home in Canada, but what really overwhelms me is that he keeps going: "This is a new song..."and what follows is what we know as a masterpiece. And already perfectly shaped.
In fact in a few months "Harvest" will come out, but many songs from "Time fades away" and "On the beach" are already in his live repertoire by that day, and it just blows my mind to think of this man that, in a bunch of weeks, composed songs as Journey through the past, A man needs a maid, Needle and the damage done, Old man, See the sky about to rain...and he chats through them as though they were just some more songs. By the way, the performance is outstanding, with some pieces quite close to album's rendition, but some of the others that differ from it...and get even better: listen to A man needs a maid without Jack Nietsche's pompous orchestration. It is no doubt why some of Neil Young's friends insisted on releasing this before "Harvest". 36 years have been a long time, but the wait has surely been worth it.
More Info: Neil Young @ Wiki Fansite: Hyper Rust (lots of stuff, including tabs) Neil Young Links
I was just going through youtube the other day and I found this very well-made BBC documentary (in 7 parts on youtube) on Richard Thompson called "Solitary life" which starts from his early days as a Fairport Convention member and contains bits of performances (also some exclusive ones), plus interviews with friends and former wife Linda. Here are all parts. But what is more important is that Thompson is due to release a new album, "Sweet Warrior" in May 28, but meantime you can download this new song from SW in advance, Dad's gonna kill me just below the you tube video (and you can read its lyrics). You'll also find out that this is no song about his father (longing for killing Richard), but about war, since "Dad" is military slang for Baghdad.
"Out in the desert there’s a soldier lying dead Vultures pecking the eyes out of his head Another day that could have been me there instead Nobody loves me here Nobody loves me here
Dad’s Gonna Kill Me Dad’s Gonna Kill Me
You hit the booby trap and you’re in pieces With every bullet your risk increases Old Ali Baba, he’s a different species Nobody loves me here Nobody loves me here
Dad’s Gonna Kill Me Dad’s Gonna Kill Me
I’m dead meat in my HumV Frankenstein I hit the road block, God knows I never hit the mine The dice rolled and I got lucky this time
Dad’s Gonna Kill Me Dad’s Gonna Kill Me
I’ve got a wife, a kid, another on the way I might get home if I can live through today Before I came out here I never used to pray Nobody loves me here Nobody loves me here
Dad’s Gonna Kill Me
Dad’s in a bad mood, Dad’s got the blues It’s someone else’s mess that I didn’t choose At least we’re winning on the Fox Evening News Nobody loves me here
Dad’s Gonna Kill Me Dad’s Gonna Kill Me
Dawn Patrol went out and didn’t come back Hug the wire and pray like I told you, Mac Or they’ll be shovelling bits of you into a sack
Dad’s Gonna Kill Me.
And who’s that stranger walking in my dreams And whose that stranger cast a shadow ‘cross my heart And who’s that stranger, I dare speak his name Must be old Death a-walking Must be old Death a-walking
Dad’s Gonna Kill Me
7 muzzle monkeys standing in a row Standing waiting for The Sandbox to blow Sitting targets in the wild west show
Nobody loves me here
Dad’s Gonna Kill Me
Another angel got his wings this week Charbroiled with his own Willie Pete Nobody’s dying if you speak double-speak
Dad’s Gonna Kill Me"
More info: More about military slang in thompson's words Richard Thompson @ Wiki
There should be no need for explanation here. Because "Liege & lief" is one of the best albums of all time, the masterpiece of folk-rock, or british way to folk-rock, played by a band at its peak and at its most painful time (if you don't know much of the story that led to L&L read this). Anyway, this was Fairport Convention's 4th long playing release and, as hard as it appeared to be, it topped also their previously LP, "Unhalfbricking", and it made history for Sandy Denny's perfect vocal performance and its combination of tradionals mostly and self-penned songs (or new suits for traditional songs, with new lyrics for instance). What else: Richard Thompson may be the best british guitar player ever (sorry for all Eric Clapton fans, by the way) In a few words:one of my desert island discs. Plus, this is the 2002 edition, with 2 bonus tracks. More info: "Liege & lief" @ Wiki Fairport Convention @ Wiki
Yeah, I promised something old, but actually I couldn't resist uploading this bootleg I found some time ago and that (shame on me!) I forgot to post till today. And it's an excellent one too, with a song quite hard to find in GB's recent live tracklists like "Love is a sign".
X
