"I've dreamt in my life dreams that have stayed with me ever after, and changed my ideas; they've gone through and through me, like wine through water, and altered the colour of my mind."
Here's another favourite band of mine from ex Yugoslavia: Azra were one of the most popular rock groups of the yugoslavian new wave (if not THE most popular), and even today, fiteen years after their break up, they are something more than a cult not only in Croatia (they came from Zagreb) but also in the rest of the Balkans.
This album is a compilation with their first singles, spanning from 1979 to 1982 and it contains also music prior to their first eponymous album (1980). It's probably not their best release but it's a very good introduction.
And for those who don't know a thing about yugoslav new rock and about Branimir "Johnny" Štulić (the leader of Azra and now a kind of mysterious exiled artist, totally unwilling to come back to his former country, if you can call it so after the war in the nineties), I'd urge you to view this nice documentary, "Sretno djete", about the Zagreb scene in the eighties (with english subtitles).
This is one of the songs from the compilation. With english translation of the lyrics (from LyricsTranslate).
A šta da radim (And what should I do)
And what should i do When my friends leave When a girl leaves On which I throw my gazes.
And so day by day On public places with a guitar Ofcourse someone always comes to hear me at least furtively
Nothing is important to me anymore I found a good band I only want to play To get my kicks and that's all.
And what should i do When my friends leave When a girl leaves On which I throw my gazes.
People just talk Why are you so nervous? People just say Don't be so horrible.
Human lips whisper sneak through the city Stay out of trouble They will take your head off.
Nothing is important for to me anymore I found a good band I only want to play To get my kicks and that's all.
And what should i do When my friends leave When a girl leaves On which I throw my gazes.
Instrumental
Nothing is important to me anymore I found a good band I only want to play To get my kicks and that's all To get my kicks and that's all To get my kicks and that's all
At last another Go-Betweens' bootleg. After this one I'll have to start reposting some of the old ones (most of the old links had to be taken down). So don't worry: there will be many more to come.
Anyway: this is from the GoBes' last tour and it has a quite peculiar tracklist. First because of two song from McLennan's and Forster's solo career: Don't you cry for me no more and Justice (which I like a lot!). Plus there is a nice rendition of the then unreleased Did she overtake you (later recorded in Robert Forster's "The Evangelist").
About the sound quality: this is an audience recording, but don't get frightened by the not so good quality of the first (and part of the second) track: after that the sound does get better.
By the way: the picture was shot by Martin Schori [Photographs (c) 2005 Martin Schori]. I have taken it from the Go-Betweens'website.
Tracklist:
01. Boundary Rider 02. Head Full Of Steam 03. Caroline and I 04. Magic In Here 05. Streets Of Your Town 06. Justice 07. Bachelor Kisses 08. Did She Overtake You 09. German Farmhouse 10. Darlinghurst Nights 11. FindIng You 12. Don't You Cry For Me No More 13. Surfing Magazines 14. Poison In The Walls 15. Was There Anything I Could Do? 16. Here Comes A City 17. Clouds 18. Too Much Of One Thing 19. Spring Rain 20. The Clock
"The New York-based mini-orchestra yMusic champions music by young composers whose work combines the complexity of classical music and the tuneful, rhythmic energy of pop. The ensemble consists of six virtuosos: Hideaki Aomori, clarinet, bass clarinet; CJ Camerieri, trumpet, French horn; Clarice Jensen, cello; Rob Moose, violin; Nadia Sirota, viola; and Alex Sopp, flute, piccolo. Each of these players is often busy playing with orchestras, chamber groups, and cutting-edge pop acts such as Bon Iver, The National, Björk, David Byrne, Grizzly Bear, Antony and the Johnsons and Sufjan Stevens" [...]
These pieces of music were composed by people like Annie Clarke (St. Vincent), Son Lux and Shara Worden (My Brighted Diamond).
I haven't posted anything in a very very very long time, I know. Trapped in the maze of annoying social networks... So, I decided to be back with something unusual, that is actually something I'm getting fond and that I'm starting to know only now: (ex) yugoslavian rock. I know: it sounds weird. And mostly so if you have never heard someone sing in that language (i.e. serbian, croatian, bosnian or slovene). And I never had...until some weeks ago. But now that I got used to it I have to say it is worth it.
But now let's cut the crap.
Zabranjeno Pušenje were a band from Sarajevo, Bosnia, active in the 80's. They were part of what was called "the new primitives" (kind of a garage rock with ironic lyrics). They were also part of a famous bosnian comedy tv show (Top lista nadrealista)...and in fact irony is a big part of this band just like lyrics meant a great deal among ex yugo bands. But I'll talk about that some other time.
"Pozdrav iz zemlje Safari" is their third album, from 1987. After the war the band split (it is a bit more complicated than that: the singer joined the No Smokng Orchestra -"no Smoking" is the english translation of Zabranjeno Pušenje- in Belgrad while other members stayed in Sarajevo and kept the old name).
Here's Balada o Pišonji i Žugi + the english translation of the lyrics (from lyricstranslate.com). And then one of my favourite songs off this album, "Kako je Velika Britanija postala probušeni dolar album" (long title indeed! I don't know what it means this time...).
The ballad of Pišonja and Žuga
Pišonja and Žuga remembered pretty well
What Lepi told them last night
"There is party at the seaside, there are chicks at the seaside
Seaside is the source of life, right, Moke?"
Moke also said that
Foreign girls fuck really good
And that he, when he was in a camp in Zaostrog
Had sex every other night
Pišonja and Žuga could listen to them
Through the whole night
Pišonja and Žuga had
Hot seventeen year old blood
Pišonja and Žuga
The same night Pišonja and Žuga
Stole a cassette recorder from The handicapped center
And right after it they stole a bus
Of a bus company from Hrid
Pišonja speeded up
That hot summer evening around 10 pm
"And now, to the seaside!"
Yelled Žuga as loud as he can
Pišonja was driving and smoking tobacco
Žuga loves brunettes, Pišonja loves blondes
"And after the seaside, to the wide world,
Only brave people become famous
And then, goodbye, Breka shacks!"
Yelled Žuga and turned up the recorder
"You're getting a postcard from safari in African countries
Bye, roaches!"
Pišonja and Žuga, two faithful comrades
Are taming dangerous curves
Please, watch after them, Queen of speed
Cops blocked the road
Somewhere around 11 pm
Boogie-woogie was playing in the bus
When he saw cops while he was driving
Around 50 miles per hour
Pišonja told Žuga: "Tie yourself, we're flying!"
A horrible crash cut the air
Even sparkles were flying
Next moring people were talking and swearing
That they found air exhauster and rearview mirror
Hundreed and fifty feet farther in a ditch
Pišonja and Žuga, two faithful comrades
Are taming dangerous curves
Please, watch after them, Queen of speed
While they were carrying Pišonja into an ambulance
This is a wonderful album. Released through a netlabel (12rec), "There is no devil" is James Gardner/Giraffe's second album: if you appreciate the likes of Bon Iver or other soft and intense music, this album is for you. Probably Gardner's career is not one for international charts and he is not a well known artist, but still this music deserves real attention: I really fell in love with it. Just start listening to it and you'll soon be in awe by his songcraft. Seriously: listen to the whole album.
And you can buy it here (in any format you like) or download it for free via the internet archive.
16 Lovers Lane are a band from Verona, Italy. “Don’t try to push me” is their first release. Their name is an obvious homage to the Go-Betweens' sixth album with the same title. If my followers or others bloggers who like this blog feel like posting about this EP, I would appreciate it a lot.
I have to say that I'm fond of this EP and I'm close to the people who made it, so I'll just stop here. But I really would like you all to tell me what you think about it. Or just contact them via myspace or facebook.
It's been very long since the last time I posted some "new" Gobs' bootleg, and this one really had to be uploaded, being from one of their most interesting periods (their shift from a 4 piece combo to a 5 piece, with Amanda Brown on violin and oboe duty mostly) and sounding simply great. The tracklist is amazing, with some pearls too: some very good backing vocals by McLennan on Don't let him come back (this could be its best live performance ever, imo), a good rock-sounding Head full of steam, a beautiful (and quite rare) version of Twin layers of lightning, an edgy rendition of That way, and an extra funny People say. About the recording: this comes from a soundboard, hence the very good quality (there's only a light hiss in the background).
PS Check out these Gob's posters I've found surfing the web.
1. In The Core Of A Flame 2. Head Full Of Steam 3. Right Here 4. One Thing Can Hold Us 5. Don't Let Him Come Back 6. Bachelor Kisses 7. Twin Layers Of Lightning 8. Bye Bye Pride 9. Five Words 10. That Way 11. The House That Jack Kerouac Built 12. To Reach Me 13. Palm Sunday 14. Spring Rain 15. Apology Accepted 16. Cattle & Cane 17. People Say
These are the Go-Betweens' B-Sides to their 2000-years Singles (and the Worlds Apart EP), a quite hard to find treasure. Plus the 7'' edit to Finding You and, as some kind of bonus track, a Suicide At Home live in Munich in 1999.
PS And by the way: Girl lying on a beach is one my favourite Forster's songs ever.
Tracklist:
01 Finding you (7" version) 02 Instant replay 03 The city of lights 04 Sleeping giant 05 The locust girls 06 Crystal shacks 07 Erotic sunshine 08 Woman across the way 09 Stone 10 Girl lying on a beach 11 Suicide at home (The BR 2 Session, live 1999)
This an album from a scottish duo released by Cakes & Takes Label:but not your average kind of quiet folky duo, not at all. They are in fact an eletric band, playing with many influences, mostly 70's stuff (above all, and my favourite one: Krautrock), and they are a very joyous and groovy band. Listen.
I don't know if there is any need to go and explain what the basement tapes are (btw, after dylan's famous motorbike accident -probably an exaggereted one- his Bobness himself decided to take some time for himself, some time in the country -Woodstock was the place, just playin' round with The Band some old american music -some would call it Americana these days- and improved some new tunes, the most of it in a totally free way, with no push whatsover), but the fact is, and this has to be stated clear, the basement tapes which later got to be released through Sony were never intended to be for the public audience and, more important to us, they were just the tip of the iceberg. Meaning there were loads of songs (and songs and songs...) left in Dylan's archives (want me to name one? The stuning "I'm not there", which gave the name for Todd Haynes's bizarre biopic last year), and all of that soon came out labelled as "Genuine basement tapes", a 5 CDs collection full of interesting material though not lacking flaws(i.e. the recording quality being the major one, and then, well, maybe too many takes or some not-so interesting short bits or sketches of songs, but hey, de gustibus...). So what is "A Tree With Roots" then? Quite easy to tell: the same genuine tapes, remastered, but with an order which kind of tries to make some sense out of the mass of pretty random music compositions. All of it compressed in a 4 volumes edition, and here am I giving you the first two (what'll you find in these? I'd say some little gems like Lock your door, Bonnie ship the diamond, or Dylan and the Band covering Bells of rhymney...but these are just some of my faves, and there are 58 in here, so knock yourself off and your own ones). And wait for 3 & 4 (with Going to Acapulco, the now famous I'm not there and the very core of the basement tapes, I'd say)
Want to to know more on ATWR? Check this page here (for the complete tracklist, the story and some notes). Or wiki for the whole story behind the basement tapes.
I do have some problems with the 70's and that rock scene: I have never been into prog nor into hard rock, so I have always had problems coping with that decade (in music). That's one of the reasons why I haven't given many chances to Marc Bolan...oh, I know, I was young and foolish. Except that I actually wasn't even that young. Anyway: The Slider has been my point of entry into Bolan's music: funny (as all T. Rex albums should be), but with some great ballads (well, kinda: is Spaceball ricochet a ballad? Still: I love it) and wonderful, really awesome sounds. So, when I decided to post something Bolan-related I thought that Rabbit Fighter (alternate versions to the songs on The Slider) would come handy.
Basically: Rabbit Fighter is a bit more stripped down (and sometimes rougher) than the actual Slider, and it comprises tracks that sound like acoustic demos more than properly arranged songs (Thunderwing, Baby strange, Ballroom Mars, Telegram Sam: nearly a Tyrannosaurus Rex number in this shape) . Plus: Cadillac's demo (which was the b-side of Telegram Sam). And if you love Bolan you gotta listen to this.
Here's the whole repost. I assume many of you, if you are go-betweens' fans, already know the "That striped sunlight sound"DVD, which is divided into two sections: one the proper concert, and two the Acoustic Stories part, where Robert and Grant talked about their career and performed 11 songs out of it in splendid stripped-down acoustic versions. I had been looking for the MP3's of that acoustic performance for a long time but with no luck, then I finally rolled up my sleeves, found the right software and did it myself: it took me some time so I really hope you appreciate it. I have also decided to create two zip files: one with the "complete"acoustic stories (including all the talks inbetweens songs), and one songs-only. All of it @ 192k.
I haven't posted anything in a very looooong time, I know. So I'm starting again today with what I hope it's going to be a very appreciated post, i.e. the bonus tracks to the eighth volume of last year's Sandy Denny Box. I mean: it is a REAL shame that the box (at least the physical one) isn't available anymore... But the reason why, of all the volumes of this wonderful Box Set, I have chosen the eighth one is because I have always thought that Denny's 1974 "Like an old fashioned waltz" is such an underrated LP, but probably so because (and rightly so) of the production: all those cheesy strings... So, listening to these six tracks with no strings was quite a joy to my ears.
01. Discoverer 02. All The Best 03. Uberlin 04. Oh My Heart 05. It Happened Today 06. Every Day Is Yours To Win 07. Alligator Aviator Autopilot Antimatter 08. Walk It Back 09. Mine Smell Like Honey 10. That Someone Is You 11. Me, Marlon Brando, Marlon Brando and I 12. Blue
~ And special performances by THE GIN CLUB, ANDREW MORRIS, ASA BROOMHALL, EMMA DEAN, TARA SIMMONS, MARDI LUMSDEN & THE RISING SEAS, HOTEL MOTEL, HANNAH MACKLIN & THE MAXWELLS, THE GOOD SHIP, RACHAEL BRADY, MARK LOWNDES, MATT NELSON, PLASTIC WOOD, JENNIFER BOYCE, CANDICE LONG, THE FLUMES, GRESHKA, SHANNON CADDY, BERNIE CARSON …and more!! ~ Special KIDS PROGRAMME including FACE-PAINTING, CIRCULAR RHYTHM indigenous music workshop, KIDS YOGA, JUGGLING, PASS-THE-PARCEL and more!
$1 from every ticket will be donated to the
ROYAL CHILDREN'S HOSPITAL FOUNDATION
Plus a SILENT AUCTION for an artist-signed poster
All other ticket profitsdonated to the Premier’s
DISASTER RELIEF APPEAL
GUITAR RAFFLE
Tanglewood TW45NS-B Acoustic/Electric folk guitardonated by Music 440 Musical Instruments
Proceeds will be included in our DISASTER RELIEF APPEAL donation.
PRESALE TICKETS (plus booking fees): $44 Adults / $38 Students / $10 Kids / $92 Family
AT THE DOOR: $55 Adults / $48 Students / $10 Kids / $110 Family
Proudly presented by The Modern Enthusiasts Inc. and Time Off, the 3rd annual Friends of Folk Festival has just released its 2nd Artist Announcement, featuring many of Queensland’s best artists. Taking place March 6th at Brisbane’s iconic Old Museum, the day will feature local music, short films, visual arts, fine arts and other festivities in a colourful, family-friendly atmosphere. Friends of Folk Festival is a community-run not-for-profit music/arts festival with the vision of showcasing and celebrating the artists that define our community.
Featuring rare performances by Robert Forster and Don Walker; and special performances from The Gin Club, Andrew Morris, Asa Broomhall, Emma Dean, Tara Simmons, Mardi Lumsden & the Rising Seas, Hotel Motel, Hannah Macklin & the Maxwells and many more. Sponsored by James Morrell Website Development, Music 440 Musical Instruments, Angel Studios, Emily Weier Designs, The Sneaky Cafe, Posterbill and Shotz Digital Print.
I haven't posted a Gobs' bootleg in quite a long time (a whole year), so it is definitely time for me to start again and, plus, with one of my favourite periods of the band, when they had just become a five piece ensemble and were starting to write great pop songs (while they still had some very new wake-like/edgy songs in the repertoire). In fact, this is one of the very first concerts with Amanda Brown (on violin and, I suppose, keyboards) in the band given that, according to David Nichols' biography of the band, she joined the group around April 1986 and this german gig is supposed to date back to June of the same year. The new element does bring some new nuances to the live renditions of many songs and, though many pieces are still to be worked properly maybe, there is an appealing rawness in this concert when some songs seem to punch harder than ever (One thing can hold us, In the core of a flame, Palm sunday) although -yes- there are some weird arrangements, too mostly because of the keyboard (Bachelor kiss, I work in a health spa). The bootleg is an audience recording, but a quite decent one.