8-BRIAN WILSON: That Lucky Old SunI'm a big fan of the man: he's written one of my "desert island" records (obviously "Pet Sounds"), and I'm so happy he's finally made a very good solo album (hard to consider the last "Smile" a solo, considering his very well-known story; and actually I do prefer the "Smile" version made by bootlegers with the original Beach Boys' voices).
By the way: there's indeed a lot of nostalgia in here (Forever my surfurl girl quite gives that away), but also his best songs in decades.
9-MAVIS STAPLES: Live Hope At The Hide OutThat was another world...remember? George W. Bush at the White House and everybody out there looking for some hope. Well, it turned out this great exercise of both hope and music wasn't that useless after all, wasn't it?
Great rebel songs, great voice and great concert.
10-REM: AccelearateIndeed they did. But back are the lovable Mike Stills' backing vocals, some fast "Sing in tune with Stipe if you can" tirades...And some of the power of the best pop-rock songs they wrote during the eighties are still here, disguised as some new postsomething (post-Strokes?) rock. But behind all that (much unlike the other noisy & rockin' REM LP, "Monster") are the old school REM songs.
11-PAOLO BENVEGNU': Le LabbraOne of my fave italian artists. Once almost famous for being in a band called Scisma, he has been following a new path among italian songwriters and rockers, quite far away from both the angloamerican model and the italian one.
12-THALIA ZEDEK BAND: Liars And PrayersThat voice, that wonderful hoarse voice... A much better album than the previous one and almost as good as my favourite ("Been Here And Gone"). Be careful: its songs will crawl slowly underneath your skin.
13-VIC CHESNETT, ELF POWER AND THE AMORPHOUS STRUMS: Dark DevelopmentsI have to admith that I have some problems getting to like Mr. Chesnett, and I can't honestly say why. I have probably never given him enough attention. But this time around I didn't need to: "Dark Developments" is a charming and funny (yes: funny) album from the get-go.
14-THE WAR ON DRUGS: Wagonwheel BluesAnother excellent debut. And with one of the best à la Dylan songs (circa 1966-1967 era) I've ever heard: Arms like boulders (I try everytime to imagine an Al Kooper organ in there...). And they sometime are more Springsteen than Springsteen himself (especially these days...)
15-BODUF SONGS: How Shadows Chase The BalanceMat Sweet plays silence as if it was another instrument: chords that sound like ghosts, hypnotic arpeggios... Music for a slow slow day, when nothing ever seems to happen.
16-BAUHAUS: Go Away WhiteI may be the only person on this planet, but yeah: I like this album. I don't find this reunion useless at all (and therefore I'm sorry they called it quits so soon) simply because IMHO these songs are Bauhaus songs (I mean: this is not like some Genesis reunion with a Stiltskin singer...), the sound of the guitar is awesome (yeah!), and Bauhaus playing funky (well, quite...) and loud are a dream come true. And go listen to Undone, please.
17-AFTERHOURS: I Milanesi Ammazzano Il SabatoAn italian rock band emerged during the grunge period: it's nice to see what they've become. Anyway, they probably were (and still are) the best at finding a way to sing in italian with a very "rock" attitude. And the production of this album is amazing.
18-DEATH CAB FOR CUTIE: Narrow StairsOk, it's not one of my favourite DCFC albums ever, but chance is I'm not understanding something here. Still, are or are not DCFC the best indie-rock band of the world? I can't say it yet (also because...what is indie-rock now? Possibly anything, I'd say), but I'm truly glad Death Cab exist.
And these are some of my fave songs from these 18 albums:
Music Playlist at MixPod.com